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Uva's Basic Grip Book by Michael Uva,

Uva's Basic Grip Book by Michael Uva,
While the technology of filmmaking has changed dramatically over the last 20 years, the basics of effective studio gripping are the same" a thorough knowledge of equipment, safety, and tools remains the foundation for success. A heavily illustrated reference and learning tool, Uva's Basic Grip Book provides grounding in basic grip equipment, techniques, and safety issues. It distills the most beginner-friendly information offered in Uva's original Grip Book into a handy reference and guide prepared especially for the beginning professional. Updated with the latest studio grip equipment, the book also offers a complete list of personal grip tools that every grip should have, more than 100 tricks of the trade, and a review test designed to affirm new knowledge. Uva's Basic Grip Book also offers safety tips for gripping, detailed descriptions of positions within the grip department, and advice designed to help land that first job and get established in this very competitive industry. A fully updated and expanded glossary completes the book. Uva's Basic Grip Book covers beginners' most frequently asked questions and helps them to acquire basic skills. It also looks at the different positions within the grip department and offers helpful advice in getting that first job. Like its predecessor, Uva's Basic Grip Book is filled throughout with Tricks of the Trade, as well as tips on common practice and safety. An improved and expanded glossary completes the book.



Uva's Rigging Guide for Studio and Location by Michael Uva,
Uva's Rigging Guide for Studio and Location by Michael Uva,
Readers of Mike Uva's GRIP BOOK who are interested in more detailed information on the work of the grip department will welcome his new rigging manual, clearly detailing all the ways to mount cameras and lights both on a set as well as on location. The book covers the latest truss systems, rigging equipment and portable stages, as well as lifts, boom arms and camera mounts for every type of moving vehicle. The book is not limited to equipment specifications, however; Uva offers tips and tricks throughout in order to make the process of setting up and shooting safer and more efficient. Grips often need to invent makeshift solutions in a short time, and Uva shares many such devices developed over his years in the film and TV industry. This book will help grips and key grips move on to the bigger feature projects and commercials that require this equipment. It will also be useful for directors of photography and producers in pre-planning the required equipment for specific shots.



Pistol grip (fencing) - In the sport of fencing, a Pistol grip is a grip used for foil and épée. The pistol grip (otherwise known as the anatomical or orthopedic grip), originally developed for a nineteenth-century Belgian master who had lost fingers in a tram accident, contours entirely to one's hand and is held much like a pistol, hence the name.

American grip - American grip is a technique used to hold drum sticks and mallets to play percussion instruments. This form of matched grip is a hybrid of the French grip and German grip.

Italian grip - In the sport of fencing, an Italian grip is a grip used for foil and épée that consists of a straight block of wood or aluminum wrapped in a rubber grip-tape. About 1/2 inch wide, 1/3 inch high, and 4 1/2 inches long.

Key grip - In American and Canadian film-making, the key grip is the chief grip on the set. Like a foreman, the key grip directs a crew of grips, some with specialized skills such as dolly grips, crane operators, camera car operators, etc.



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